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Nick Gentry : ウィキペディア英語版
Nick Gentry

Nicholas James Gentry (born 29 May 1980) is a British artist from London. Much of his artistic output has been generated with the use of contributed artefacts and materials. He states that through this process "contributor, artist and viewer come closer together". His art is influenced by the development of consumerism, technology, identity and cyberculture in society, with a distinctive focus on obsolete media.
Drawing on recycled and obsolete technological materials as the grounds for his paintings, London-based artist Nick Gentry creates a conversation between digital and analog processes. Gentry constructs his painting supports out of materials such as film negatives, VHS cassettes,〔(【引用サイトリンク】url=http://www.woostercollective.com/2010/01/shit_were_diggin_the_art_of_nick_gentry.html )X-rays, and floppy disks. “These objects are no longer in the spotlight,” the artist has said of floppy disks, “but by placing them there for a second it becomes easier to comprehend the speed and extent of the changes that are taking place today.” Gentry often incorporates elements of these materials into his figures. The magnetic circles of floppy disks, for example, often serve as eyes in his portraits.
Such artistic works of social commentary have been featured in galleries in the UK, USA and in cities throughout the world. His work has been exhibited alongside established street artists, such as Banksy, Shepard Fairey and Blek le Rat. As a result he has been linked to the urban art scene in London.
== Early life ==

Nick Gentry was born in Hampstead, London and grew up in the nearby historic market city of St Albans. From an early age he spent much of his childhood drawing and sketching. He attended Parmiter's School in Garston, Hertfordshire and during a troubled time he came close to being expelled on numerous occasions. He continued to study art at Ridge Street Art School and the University of Hertfordshire. During this time he was inspired by a visit to the famous Sensation (art exhibition) at the Royal Academy of Art, signalling the arrival of the Young British Artists. He was later refused admission to Liverpool College of Art when he first applied, but attended the college after a subsequent successful application a year later. From there he progressed to successfully graduate from Central Saint Martins in London in 2006.

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